Projects — stainless steel objects from FORM 304, Lisbon

Detail of the Tetrapod base — folded stainless steel plates seen from the front

Tetrapod

candle holder

The Tetrapod candle holder is made from a single solid piece of stainless steel, playing on the contrast between the weight of the metal and the fragility of the flame.

Its form is inspired by tetrapods — those four-armed concrete blocks used to break the energy of waves and protect breakwaters. Their geometry is brought here to the scale of the table: three arms resting on the ground, and a fourth completed by the candle itself. Where the original tetrapod absorbs the force of the water, this one welcomes a light — the same geometry, the function inverted.

Designed for table candles of 22 mm diameter — classic taper candles and equivalent slim candles.

Material
Raw stainless steel
Dimensions
9.5 × 9.5 × 4.5 cm
Thickness
Stainless steel 2 mm
Compatibility
Table candles up to 22 mm in diameter
Arista — minimalist stainless steel incense holder, folded steel sheet on a white surface

Arista

Incense holder

The Arista incense holder is formed from a single sheet of stainless steel, bent into different angles. Its asymmetrical form creates a subtle tension of balance, giving this designer incense holder a quiet presence.

Minimal in construction, this incense stand remains fully true to its function: it holds the stick firmly and lets the ash fall naturally, without spilling.

Designed for incense sticks up to 3 mm in diameter

Its name comes from Aristaeus, the Greek god of the arts of transformation, and from the arista, the fine bristle extending certain leaves — of which the incense stick here seems to be the continuation.

Material
Raw stainless steel
Dimensions
22 × 5.5 × 2 cm
Thickness
Stainless steel 2 mm
Compatibility
Incense sticks up to 3 mm in diameter
Modular Chair: brushed steel structure with a black leather seat pad

Modular Chair

This chair is composed of four identical aluminum sheet plates, arranged through repetition as its core principle. Each element is bent and positioned to create a unified structure, where the simplicity of the parts builds a more complex whole.

The design explores rhythm and modularity, using repetition as a way to define form, stability, and visual consistency.

By inverting the arrangement of the same components, the object can shift between a table and a chair, allowing its function to change without altering its parts.

Samara side table — two bent stainless steel sheets in a quiet corner room

Samara

side table

The Samara side table is formed from two 5 mm sheets of stainless steel, folded and assembled symmetrically. Each fold contributes both to the structure and to the strength — the material alone is enough to carry the form, with no frame or added part. The screws joining the two sheets remain visible, embraced as a drawn element rather than hidden.

Its geometry creates a sense of balance and stability, and gives it a grounded, silent presence.

Its name comes from the samara, that winged fruit of the maple or ash tree that spins through the air before landing. Its silhouette evokes the final moment: two open wings, settling onto the ground. One can also read in it the Chinese character 六 — the number six, associated with fluidity and the right balance of things.

Bottle Holder

wine holder

A wine holder crafted from two steel plates, formed with a focus on clarity and structural balance. Three precisely positioned rods support each bottle, holding it securely at a deliberate angle while creating a sense of lightness within the solid frame.

Both functional and restrained, the piece explores how minimal intervention can define stability, orientation, and presence.